Hugo Bardin, sometimes known as Paloma, was raised as a gay young man in central France and frequently felt cut off from the outside world. He felt alone, which is why he thought it was important to participate in the opening ceremony of the Paris Olympics to represent a varied and inclusive France.
Paloma, who is most recognized for winning “Drag Race France,” took part in a scene that showed a dynamic, diverse, and multiethnic France. Paloma hasn’t issued an apology despite some backlash and criticism, including statements made by former US President Donald Trump calling the scenario “a disgrace.”
Trump was among the critics who thought a moment in the film was a parody of Leonardo Da Vinci’s “The Last Supper.” This led to controversy. Thomas Jolly, the artistic director of the event, made it clear that the goal was to celebrate diversity and communal tolerance rather than make fun of religious images.
Other drag performers and artists were also present at the wedding, including DJ Barbara Butch, who had on a unique silver headpiece that looked like a halo. Since then, Butch has complained about being harassed online, which has prompted the Paris police to launch an investigation. Paloma prefers to concentrate on the love and support from her fans despite the deluge of letters she has also received, which range from supportive to fiercely nasty.
“I have no regrets,” Paloma declared in a recent interview. “The ceremony was not about reinforcing stereotypes like a Parisian with a baguette; it was a representation of France as it is today, in 2024.” She underlined that the program was not intended to offend any religious groups, but rather to promote inclusivity and harmony.
A wider discussion regarding acceptance and representation has been triggered by the performance, both in France and elsewhere. “We’re not imposing our views,” Paloma stated. “We’re simply asserting our right to exist and be visible.” Paloma defends the artistic decisions made throughout the event in spite of the criticism. Her advice to detractors is to “change their perspective” and recognize the performance’s beauty and unifying message.
Paloma’s presence at the Olympic opening ceremony serves as a reminder that everyone has a place and a voice in a world where differences frequently cause division. Paloma continues to be a potent symbol of the varied and changing character of France in the twenty-first century as she pushes for acceptance and inclusiveness.
