Rising artist Nessacary is stirring up controversy by claiming that T. Farris, Megan Thee Stallion’s manager, stole her ideas and handed them over to Megan. In a newly released track, “Killing All The Snakes,” Nessacary vents her frustrations with sharp lyrics and pointed accusations against Megan and her team. The track was recorded against a backdrop of Houston’s legendary rap mural, giving the release a symbolic edge, as it was filmed in Megan’s hometown.
Bold Claims in “Killing All The Snakes”
In her song, Nessacary addresses alleged backdoor dealings and hints that Megan’s rise involved betrayal. She even calls out Megan, referencing claims of drinking and alleged romantic entanglements with Carl Crawford, the CEO of 1501 Certified Entertainment, as well as her current manager, T. Farris. With lines like, “She was naked, drunk begging Carl Crawford to f*** / All on Nicki live, being fake sucking her nuts,” Nessacary doesn’t hold back in addressing perceived hypocrisies and conflicts in Megan’s relationships with former friends and industry associates.
Fan Reaction and Nessacary’s Response
Fans quickly picked up on the tension, with one commenting that Megan likely wouldn’t respond. Nessacary shot back, saying she didn’t expect a response, claiming Megan “took almost 10 months to respond to Nicki [Minaj].” Nessacary further accused T. Farris of going behind her back, allegedly sharing Nessacary’s work and rollout plans with Megan, adding, “It’s a problem and I’ma check the b**** who needs to be checked.”
Megan Thee Stallion’s Tumultuous Relationship with 1501 Certified Entertainment
This isn’t the first time Megan’s professional relationships have come under scrutiny. Megan and Carl Crawford’s 1501 Certified Entertainment have been in a highly publicized legal dispute since late 2019, sparked when Megan signed a management deal with JAY-Z’s Roc Nation without notifying 1501. The friction escalated, and Megan sued the Houston-based label, alleging they were blocking her from releasing new music and refusing to renegotiate her contract, which Roc Nation had flagged as problematic.
The lawsuits continued, with Megan filing another in 2022, seeking to count her 2021 project Something For Thee Hotties as an album to satisfy her contractual obligations with 1501. After the release of her sophomore album, Traumazine, Megan further amended her lawsuit, seeking $1 million in damages and declaring her contractual obligations fulfilled. This would potentially grant her an exit from 1501, though the label countersued, referring to Something For Thee Hotties as a “bullshit ass mixtape.”
Where Things Stand Now
Though Carl Crawford has since admitted to making mistakes and expressed regret over the fallout with Megan, vowing to avoid public criticism of her, Nessacary’s allegations add another layer of complexity to Megan’s career narrative. Whether or not Megan responds, the controversy surrounding her management and label relationships continues to keep fans and industry insiders speculating about the star’s journey.